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"Capturing the fleeting beauty of life through still life paintings"
1974 -
(Born in Christchurch)
Jonette Murray is a self taught, disabled NZ artist who works primarily "from life" in her studio in the Wellington Region. She is best known for her well crafted still life oil paintings that explore the fleeting beauty of life, endurance, and living in the moment. She has had numerous sales nationally and internationally, holds frequent solo shows, participates in group shows, and has been a finalist in major art awards in New Zealand.
Jonette is a finalist for the upcoming Tasman National Art Awards 2024.
Recently she held a solo show “Glass Underfoot" at the regional art gallery Whirinaki Whare Taonga (Nov 2022-Feb 2023). Currently she is working on a new series of contemporary still life and figurative works, while further exploring and developing her style.
Jonette is a passionate full time artist who divides her time between painting, her husband and three children, and her ever expanding edible garden.
Jonette has been a finalist in several art awards including:
Her finalist painting "The still life artist" was selected as part of The Adam Portraiture Award 2020 New Zealand tour.
Selected Exhibitions
Public Speaking
Press and Publications
Memberships and representation
Review
"Jonette Murray's impressive still life's are the subject of ''Composed'' at The Artist's Room. The artist has created a series of tableaux in which the individual elements have been composed so as to play off each other, in terms of position and colour. The works are beautifully created, the soft lighting and gentle reflected surfaces reminiscent of Flemish art of the 17th century, even though the artist's influences and tastes surprisingly veer towards more modern painting.
The still life's are generally restricted to a few items - fruit, butterflies, jugs - set against plain backgrounds. This allows for the relationship between the items to become a major point of focus, in terms of their position within the picture frame and the psychological interplay of the items. The relationship between colour and tone is also brought to the fore, especially in works such as These golden moments, with its rich golden pears, brass jug, and deep golden cream backdrop.
Several of the pieces bring to mind classical vanitas images, with antique utensils placed against the ephemeral lives of fruit and insects. This is emphasized in Elevation, where a burnt-out candle rests on a dog-eared book alongside a sickle, all traditional symbols of the too, too short nature of life."
14/03/19
Written by James Dignan for the Otago Daily Times
Jonette Murray
All images are copyright © 2023 Jonette Murray - All Rights Reserved.